Dambera

Hard by a great forest dwelt a poor wood-cutter with his wife and his two children.

The two children had also not been able to sleep for hunger, and had heard what their stepmother had said to their father.

Hansel and Gretel sat by the fire, and when noon came, each ate a little piece of bread, and as they heard the strokes of the wood-axe they believed that their father was near. It was not the axe, however, but a branch which he had fastened to a withered tree which the wind was blowing backwards and forwards. And as they had been sitting such a long time, their eyes closed with fatigue, and they fell fast asleep. When at last they awoke, it was already dark night. Gretel began to cry and said: ‘How are we to get out of the forest now?’ But Hansel comforted her and said: ‘Just wait a little, until the moon has risen, and then we will soon find the way.’ And when the full moon had risen, Hansel took his little sister by the hand, and followed the pebbles which shone like newly-coined silver pieces, and showed them the way.

Everything is eaten again, we have one half loaf left, and that is the end.

Early in the morning came the woman, and took the children out of their beds. Their piece of bread was given to them, but it was still smaller than the time before. On the way into the forest Hansel crumbled his in his pocket, and often stood still and threw a morsel on the ground.

ABOUT THE FONT

Dambera Font Family
Designed by Dušan Jelesijević
Released in April 2016
1 Style
Dambera is a made up word I used as planet name in my first comic published in a kids magazine when I was 6 years old. Dambera font has pretty similar reference – it’s a simple script font I initially designed for wedding invitations and restaurant menus, but it can have wide appliance in every design field, from posters, book covers, outdoor signes to labels and packages. It contains a set of stylistic ligatures and swash alternates, as well as a small set of floral dingbats. Also contains a set of characters with specific endings (in OpenType terminology, better known under FINA term).

STYLES

Regular

OPENTYPE FEATURES

Ligatures
Terminal Forms
Swashes

LICENSE

Please visit License page
for more information.

LANGUAGES

Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Cimbrian, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Haitian CreoleHiligaynon, Hmong, Hopi, Hungarian, Ibanag, Icelandic, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Lojban, Lombard, Low Saxon, Luxembourgian, Malagasy, Manx, Mohawk, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, PotawatomiRhaeto-Romance, Romansh (Rumantsch), Rotokas, Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho (Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tetum (Tetun), Tok Pisin, Tswana, Turkmen, Turkmen (Latinized), Uyghur Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Xhosa, Yapese, Zulu

BUY



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    *User Type – Desktop

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    *Styles – OTF

    *Styles – WOFF & WOFF2

In Use