With the Low Vulgarites I have no concern; but with the other two tribes, much.
It has been said of Carrière that he has “le génie de l’œil,” and it is exactly this “genius of the eye” which constitutes the bond of sympathy between all Impressionists.
His paintings of the intimate life of the family, the circle round the fireside or the little gatherings in the common room during a winter evening, have a quiet charm which his contemporaries rarely attain. Such groups, it may be said, find little favour from those who issue commissions for family heirlooms, and Carrière has no chance of becoming a fashionable painter of human mediocrity. One remembers though that Mr. Sargent has proved recently that even with mediocrity a genius can do a great deal. Carrière, however, is never likely to wish to rival Bonnat or Carolus-Duran. His scenes are not so much represented as suggested. His drawing is a reproduction of the play of light upon the different planes of the subject, the whole picture becoming a symphonic development of light. His brush manipulates colour much as a sculptor manipulates clay, and the results are real Impressions.
The Fossard family ended in an heiress in Cœur de Lion's reign.
It was during the mayoralty of Thomas Pheasant that Daniel Dove took up his abode in Doncaster.
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