Manzello

Here, now, are two great whales, laying their heads together; let us join them, and lay together our own.

Of the grand order of folio leviathans, the Sperm Whale and the Right Whale are by far the most noteworthy. They are the only whales regularly hunted by man. To the Nantucketer, they present the two extremes of all the known varieties of the whale. As the external difference between them is mainly observable in their heads; and as a head of each is this moment hanging from the Pequod’s side; and as we may freely go from one to the other, by merely stepping across the deck:—where, I should like to know, will you obtain a better chance to study practical cetology than here?

In the first place, you are struck by the general contrast between these heads.

Moreover, while in most other animals that I can now think of, the eyes are so planted as imperceptibly to blend their visual power, so as to produce one picture and not two to the brain; the peculiar position of the whale’s eyes, effectually divided as they are by many cubic feet of solid head, which towers between them like a great mountain separating two lakes in valleys; this, of course, must wholly separate the impressions which each independent organ imparts.

A curious and most puzzling question might be started concerning this visual matter as touching the Leviathan.

ABOUT THE FONT

Manzello Font Family
Designed by Dušan Jelesijević
Released in March 2015
4 Styles
To start with one personal fact: I really like to listen Rahsaan Roland Kirk. He was a multi-instrumentalist, real grandmaster and unique jazz virtuoso. The way he improvised and walked through variety of different music influences are admiring. One of things he liked is to modify instruments, so he modified soprano saxophone and got an instrument called manzello. When I was looking for good name for this typeface, it came on my mind that Manzello could be the perfect one. It has the symbolic background from the instrument and theoretically in my head, it’s imagined as typeface that rely on stable classic examples, but graphically designed and modified to match modern standards. Manzello contains a dose of characteristics of display typefaces with terminals that aren’t perfectly rounded, high contrast between stems and good balanced Italics with elements of fine calligraphy. It’s a small font family, something what I was always looking for to have as first text solution in my web and graphic projects.

STYLES

Regular
Regular Italic
Bold
Bold Italic

OPENTYPE FEATURES

Ligatures
Old Style Numerals
Tabular Numerals

LICENSE

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LANGUAGES

Albanian, Alsatian, Aragonese, Arapaho, Aromanian, Arrernte, Asturian, Aymara, Basque, Bislama, Bosnian, Breton, Cebuano, Chamorro, Cheyenne, Cimbrian, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Fijian, Finnish, French, French Creole (Saint Lucia), Frisian, Galician, Genoese, German, Gilbertese (Kiribati), Greenlandic, Haitian CreoleHiligaynon, Hmong, Hopi, Hungarian, Ibanag, Icelandic, Iloko (Ilokano), Indonesian, Interglossa (Glosa), Interlingua, Irish (Gaelic), Istro-Romanian, Italian, Jèrriais, Kashubian, Kurdish (Kurmanji), Ladin, Lojban, Lombard, Low Saxon, Luxembourgian, Malagasy, Manx, Mohawk, Norfolk/Pitcairnese, Northern Sotho (Pedi), Norwegian, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Polish, Portuguese, PotawatomiRhaeto-Romance, Romansh (Rumantsch), Rotokas, Sami (Lule), Samoan, Sardinian (Sardu), Scots (Gaelic), Seychellois Creole (Seselwa), Shona, Sicilian, Slovak, Slovenian (Slovene), Somali, Southern Ndebele, Southern Sotho (Sesotho), Spanish, Swahili, Swati/Swazi, Swedish, Tagalog (Filipino/Pilipino), Tetum (Tetun), Tok Pisin, Tswana, Turkmen, Turkmen (Latinized), Uyghur Latinized), Veps, Volapük, Votic (Latinized), Walloon, Warlpiri, Xhosa, Yapese, Zulu

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    *Styles – OTF

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